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zondag 26 juli 2026

Mother of them all? Tama 3551 guitar

 


 

Presented here is the Tama 3551. These number codes were 
in use before the final model names such as 8, 10 and 15.
The Tama plant already made their iconic steel strings at that 
time. We will discuss this model as the cooperation between
Masaru Kohno, Juan Orozco and Sakurai started later and
probably some differences between this model and the final
models will be discussed.


What immediately was strange to me is the mentioned price
for this model 3551 when compared to the later 8, 10 and 15 
models. I used the so called unofficial Tama site, sometimes
better known as the Hufschlag site: An interesting source!
http://www.hufschlag.info/html/tama_main.html
This 3551 model was in January 1978 priced at 1258 DM
in USD 595,- The model 3552, at first presumably higher 
in rank, was listed for USD 275,- And to make it complete, 
the models 3553, 3554 and 3555 were listed at USD 245,-
USD 275,-  and USD 295,- Conclusion can be that this
model 3551 was their highest model at that time. In fact
the roses engraved tuners with the butterfly buttons are
pointing in the direction of the later model 10 and 15.


Consulting AI, they gave up the story that when the collaboration
between Kohno, Orozco and Sakurai took place, production methods
were "streamlined" in order to speed up processes and thus make
more profit on still a very good product. We will discuss further
differences between the Juan Orozco model 10 I have in my
possession compared to the Tama 3551. The remark should be 
made that the Juan Orozco model 10 was priced at about 2400
DM in april 1982. Prices in Japan have gone up drastically
in the seventies already.


These tuners were later invariably used on the later Juan
Orozco model 10 and 15. the roses were already there.

 

The Fleta headform was also a detail that stayed unaltered 
into production as are the double ebony layers in the neck.


Same thing counts for the rosette and the thickening around
the sound hole from the inside.


Always a picture here to show the fret wear on this one.
Though heavily played with some slight nail damage
these frets can serve you for several years to come.


Here the bridge with the slanted sides is presented. I think
the only minor was a probably by the former owner lowered
bridgebone that had a wide contact area with the strings.
The result then is a somewhat dull tone with less brightness
so I've changed that one with a newly made one. As a correct 
octave pitch sometimes was a problem with these guitars,
I've placed the contact area close to the sound hole.